Current exhibition Fictions · Breadbox, MTY

Visual artist · Monterrey, Mexico

Daniel
Núñez
Ferrara

Painting, drawing, portrait.
Work built in layers, scraped and remade —
surfaces that feel unearthed rather than made.

Tsunami — oil on canvas
Tsunami oil on canvas · 60×50 cm
27 works
in circulation
Monterrey
shipping worldwide
2024–26
active period
Open
for commissions

Statement

I don't paint pictures.
I uncover them.

My practice is one of accumulation and erasure. Paint, scrape back, paint again. I let the studio do its slow work. Faces emerge from what was a wall. Cities form out of stains. Birds land when I've stopped looking for them.

There's discipline behind it — classical drawing, observation, a lot of torn paper. But the final word belongs to the painting. I just keep up.

I work from Monterrey, in northern Mexico — a city of concrete, hard sun, and walls that wear their history out loud. That weather is in the work.

Series

Three currents in one practice

Where the witches live — textured painting
01

Painting · Surface

Imagined cities, towers, weathered facades. Heavy texture in dialogue with old frescoes and time-worn stone.

The duck — painting
02

Bestiary

Ducks, birds, dogs, creatures. Animals as subjects with their own gravity — never decoration. Some drink wine. All of them look back.

Portrait in charcoal
03

Portrait · Charcoal

The craft at its most direct. Charcoal, graphite, pastel. Commissioned portraits and studies from life.

Slow craft,
patient hands.

The studio is in Monterrey, Mexico — a northern industrial city of concrete, hard sun, and walls that wear their history out loud. I work in oil, mixed media, charcoal, and pastel. Most pieces happen across long sessions: paint, wait, return.

  • Formats 30×40 cm to 120×100 cm
  • Supports linen, wood panel, 300 gsm paper
  • Shipping worldwide, insured
  • Timeline 2 to 6 weeks per piece
Work in the studio
Studio detail
Process with palette knife
Drawing in progress

I take commissions
selectively.

I work on portraits, scenes, and commissioned pieces when the project, timeline, and terms align. It's not cheap work, and it's not fast — each piece goes through the same slow craft as any other in my practice. The result is built to last.

If you have something in mind, write to me: tell me what you'd like, the format you imagine, and the timeframe you have. We talk, we see if it fits, and we agree on price and timing before any work starts.

How a commission works
  1. Tell me what you have in mind — a portrait, a piece, a theme. It doesn't have to be fully formed.
  2. We agree on size, timeline, and price. 50% deposit to begin.
  3. I send progress images at key moments. No surprises at the end.
  4. When the piece is ready, it's signed, varnished, and shipped or delivered.

International shipping is insured and packed flat or rolled in tubes — never with the frame, which travels poorly. Customs duties at destination are the buyer's responsibility; I'll always state the declared value before shipping.

A piece, a commission,
a conversation?

Write directly. I answer personally.